Three one-act plays by two contemporary Irish playwrights. In the first, a six-year-old girl leaves her bedroom and walks, never stopping… until now; and in the second, a young woman has not been seen since she checked into a hotel room, alone, three days ago, but she is ready to communicate… now; and in the third, an old man lies alone, waiting… for now.  

A Girl’s Bedroom by Enda Walsh
At the age of 6, a girl leaves her bedroom and family home and walks. She never stops. Until now. Enda Walsh’s A Girl’s Bedroom immerses the audience in a strange beauty and the pervasive memory of a young woman’s six-year-old self. 

Featuring Emily Karel
Directed by Rachael Chapin Longo

I Used to Feel by Ailís Ní Ríain
A woman has not been seen since she checked into this hotel room, alone, three days ago. This intimate music-theatre piece set in a hotel room questions the essence of communication and what contributes to its breakdown. In I Used to Feel, Ailís Ní Ríain has created an experience of theatre, classical music, visual language and movement to focus us on the challenges of communication. 

Featuring Heidi Krantz
Clarinet – Stephanie Ratté Jenkins
Directed by Matthew Cahoon

Room 303 by Enda Walsh
A man has stopped travelling from town to town and from room to room – sharing the good word with people who give him tea and biscuits. All that’s left is this hotel room, his ageing body and a fat fly. Enda Walsh’s Room 303 is a short monologue inspired by the Third Epistle of John

Featuring Peter Josephson
Directed by Rachael Chapin Longo